Expired Fuji Sensia 400 after the rain …

I only just realised while backing up my Lightroom catalogs that I had forgotten to post this blog which should have been posted before the Ektachrome 2 parter.

As I may have mentioned in my previous posts that I have some mixed E6 chemistry that I want to use up before it goes off so my last few rolls have been slide film. I have quite a few different slide stocks stored in my fridge and the day I shot this we had just had a huge downpour and I was not really sure whether or not the rain would come back so I loaded up some Sensia 400 rated at 320 iso into my Olympus OM10 for a change as I haven’t used this camera for years, I usually use either the OM2s or OM1n when I want to go down the Olympus route.

I paired it up with the lovely Zuiko 50mm f1.4 that I managed to pick up recently. Lucky for me the rain held off for a while and the sun peaked out to give a nice warm look to the Sensia.

Anyway thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

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Autumn colours with Kodak Ektachrome E100VS … part 2

Following on from my last post the day after shooting Ektachrome in 120 I loaded up my F100 with the 35mm version and headed out to see how it compared.

As with the 1st roll I set the meter to iso 80 but used a bit of exposure compensation on a few shots not to have muddy shadows.The first thing that was apparent was how much more Red the images were compared to the 120, both films were obviously expired the 120 was 2012 and this roll was 2009.

I am not sure how this roll was stored before I received it (it was a gift from a twitter photographer friend) but the previous roll had been fridge stored from new. That said I don’t think it harmed the look of the images in fact I quite like the overall Red feel.

There was a very slightly more pronounced grain compared to the 120 but if I had not shot/processed the roll the day before to have an instant comparison I don’t think I would have really noticed. The sharpness was pretty much identical even when I was shooting at f2.8 (it was too bright to get wide open at f1.4) Overall I was very happy with both rolls and I am really looking forward to getting my hands on the new re-issued version as soon as it comes out.

HURRY UP Kodak ….

Anyway thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

October’s “DeltaDefJam” photos all together …..

As per last month here are all my photos taken for October’s “DeltaDefJam” challenge.

They were taken on my Olympus OM1n with the 50mm f1.4 except the turntable one’s which were the Tamron 35-70 f3.5 CF Macro using ilford Delta 400 processed in Rodinal.

I didn’t post all of these so there are some here that you may not have seen over on Twitter.

Anyway thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

New film stock to try out … Agfa APX 400

I was recently sent a lovely little package from a twitter friend Sandeep @Givemeabiscuit that contained a bunch of different films stocks.

He kindly sent me the films due to losing a bet that we made last year in regards to Liverpool FC ( who I support) finishing higher than Manchester UTD (who he supports) .

We both agreed to send each other a pile of film which ever one of us lost the bet, I won but to be honest I forgot all about it but Sandeep being the gentleman that he is reminded me and suffice to say he sent me a excellent pile of films some of which I have never shot before.

The 1st film that caught my eye was some Agfa APX 400 which is a film that I have not tried so I decided as the weather last weekend was total pants and my rugby match was cancelled due to a waterlogged pitch I though I would get wet anyway so loaded up a camera that I have had a while but never shot the Minolta Dynax 500si (more about this at the end of the blog) and went out up the mountain in the mist and rain to see how the film/camera performed.I tried to test the film/camera with a variety of settings and subjects from wide open closeups to stopped down wide shots all in aperture priority at iso 400 and developed the roll in Ilfotec HC 1+31 dilution for 8 minutes.

The camera performed really well I did switch to manual focus for some of the shots as it did struggle in the light a little but other than that it was great. The film itself was also a revelation with lovely contrast and excellent sharpnessΒ which really showed in some of the images where I stopped down to f8 and more.

The grain is pretty uniform and tight which helped in the large areas of mist in the pictures.

Overall I am very impressed with this film and will certainly look into buying some more in the future.As I said earlier in the post … more about the Minolta Dynax 500si …

I have been thinking about how to give back to the film community in some way.

I have given a few cameras/film away in the past but I was thinking about how to get others to join in the absolute joy that is “film photography” so as a start I am going to give this camera and AF35-70mm lens away along with some film to a newbie film shooter.

I will do a follow up blog post in the next few days with details about how I am going to do this as I am not really sure how to target newbie photographers.

Hopefully my fellow film togs can spread the word somehow and I can get the ball rolling soon.

Anyway thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

1st time shooting Lomography Colour Negative 400 35mm….

I love trying new/old film stocks, usually its some old expired stuff I find on eBay but for a change I picked up a 3 roll box of Lomography Colour Negative 400 35mm last week and was interested in seeing what the film was like compared to some of my favorite films like Portra 400 vc or Fuji Reala.Luckily for me it was a nice bright day which after viewing the scan really showed the best side of this film.

I decided to use a camera that I have not shot for an absolute age … my Canon AE1 program with the 50mm f1.4 which was such fun to use again. The sharpness of the film was quite impressive as so were the colours.

There seemed to be a slight green cast to most of the shots which did not detract from the image in fact I really liked the look. The brighter the light the more saturation I seemed to get which was great.

I am not sure what I was expecting from this film but its fair to say I love it.

I have since bought another pack but this time in 120 format so I can’t wait to give that a try …. so watch this space.

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

London, New York, Pontycymmer … Artist at work .. Kevin Sinnott

Over the last few weeks I have had the pleasure of spending time with world renowned artist Kevin Sinnott who lucky for me lives here in Pontycymmer where he also has his studio and his most excellent gallery “Studio 18”.

My first thoughts about this series of images was to shoot it completely on film which after my initial test shoots was not going to show how I pictured the project in my mind where I had some sort of control over the colours of the paintings.

So I used a mix of film & Digital hopefully to give a good overview of a working artist.

Before we start here is a very brief snippet about Kevin that I procured from the web….

Kevin Sinnott

Born in Sarn, South Wales in 1947, Kevin Sinnott is a contemporary Welsh artist with a truly international reputation. He trained at Cardiff College of Art & Design, Gloucestershire College of Art & Design and at the Royal College of Art, London. Kevin remained in London throughout the 1970s and 80s, building a very successful career, and exhibiting at leading London galleries, major galleries in the USA and mainland Europe.
Kevin’s work is collected worldwide and he is represented in many important public collections, including the Metropolitan Museum of Art, New York. His large canvas, β€˜Running Away with the Hairdresser’ has proved to be one of the National Museum and Galleries of Wales’s most popular acquisitions.
Kevin returned to live in Wales in 1995 and has quickly established himself at the forefront of the renaissance in Welsh painting. While his work is primarily concerned with human relationships, the influence of the south Wales landscape is strongly felt in his paintings. He was elected to the Royal Cambrian Academy in 2007.

 

I will include some links at the end of the post to various articles featuring Kevin that may be of interest.Hopefully this will be the start of an ongoing project where I hope to spend time with artists in their studio or place of work where I can document the process of their discipline whether they are a painters, photographers, illustrators, musicians, sculptors etc

This 1st post may be an exception as Kevin gave me unlimited access to him and his studio for which I am so grateful.

 

I was very lucky with my timing as Kevin was in the middle of a painting on the day we arranged for me to pop over to do the studio shoot.

I was privileged to watch him work and then re work the painting “SuperMam”Β which will feature in most of the following images, please excuse the slight colour variations as obviously they are a mix of Film & Digital.

The paintings need to be seen in life to appreciate them Β πŸ™‚

The images were shot on a mixture of Kodak Portra 400, Fuji Pro 400H for the colour and ilford HP5+ and Kodak T-Max for the B&W.

Cameras used were Nikon F100, Mamiya 645, Mamiya C330 and Leica M2.

Digital were Nikon D600, Fuji XT-1 and Fuji X-Pro1

Martin Tinney Gallery
http://www.artwales.com/artists-detail-mtg-en.php?artistID=49
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Wales online link
http://www.walesonline.co.uk/whats-on/kevin-sinnotts-new-paintings-go-4891977
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Studio 18 link
http://studio18.wales/
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Youtube video link

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National Museum link
https://museum.wales/art/online/?action=show_item&item=1671
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Flowers Gallery
https://www.flowersgallery.com/artists/view/kevin-sinnott

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

Summer Velvia 50 colours ….

Last week I did my good deed of the month by giving away a camera to a twitter photographer friend who was happy to pay the postage but also gave me a lovely surprise by also sending me a little Lomo camera along with a selection of films one of which was some Fuji Velvia RVP50 which I have not had a great deal of experience with. I have shot plenty of Fuji Velvia RVP100 in both 35mm and 120 with lovely results but the RVP50 Β was quite a new experience.

I loaded up the Nikon F100 as I find the metering to be the most accurate and rated the film at 25 iso as it had expired back in 2006 and processed it using the Tetenal E6 kit. When opening the developing drum the colours were popping even before holding up to the light and once I got the scans into Lightroom I began to understand why photographers rave about this iconic film stock. The day that I shot the film was bright and sunny which obviously aided the look of the images with the Reds and greens almost aglow.

Obviously I will have to add a few rolls of this to my film fridge very soon and I will look forward to loading it up the next time we get any sun here in the South Wales Valleys.

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚