Expired Fuji Sensia 400 after the rain …

I only just realised while backing up my Lightroom catalogs that I had forgotten to post this blog which should have been posted before the Ektachrome 2 parter.

As I may have mentioned in my previous posts that I have some mixed E6 chemistry that I want to use up before it goes off so my last few rolls have been slide film. I have quite a few different slide stocks stored in my fridge and the day I shot this we had just had a huge downpour and I was not really sure whether or not the rain would come back so I loaded up some Sensia 400 rated at 320 iso into my Olympus OM10 for a change as I haven’t used this camera for years, I usually use either the OM2s or OM1n when I want to go down the Olympus route.

I paired it up with the lovely Zuiko 50mm f1.4 that I managed to pick up recently. Lucky for me the rain held off for a while and the sun peaked out to give a nice warm look to the Sensia.

Anyway thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

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Autumn colours with Kodak Ektachrome E100VS … part 2

Following on from my last post the day after shooting Ektachrome in 120 I loaded up my F100 with the 35mm version and headed out to see how it compared.

As with the 1st roll I set the meter to iso 80 but used a bit of exposure compensation on a few shots not to have muddy shadows.The first thing that was apparent was how much more Red the images were compared to the 120, both films were obviously expired the 120 was 2012 and this roll was 2009.

I am not sure how this roll was stored before I received it (it was a gift from a twitter photographer friend) but the previous roll had been fridge stored from new. That said I don’t think it harmed the look of the images in fact I quite like the overall Red feel.

There was a very slightly more pronounced grain compared to the 120 but if I had not shot/processed the roll the day before to have an instant comparison I don’t think I would have really noticed. The sharpness was pretty much identical even when I was shooting at f2.8 (it was too bright to get wide open at f1.4) Overall I was very happy with both rolls and I am really looking forward to getting my hands on the new re-issued version as soon as it comes out.

HURRY UP Kodak ….

Anyway thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

Autumn colours with Kodak Ektachrome E100VS … part 1

For a change usually when I get a nice long weekend off be it summer or winter I always seem to pick the days with rubbish weather but luckily for me last weekend I got a good one.

As I still have my Tetenal E6 kit mixed from the end of the summer I decided to shoot some slide film before the chemistry went off.

As I had not shot Ektachrome for ages and with Kodak hopefully bringing back the emulsion shortly I decided to shoot 2 rolls over 2 days in both 120 and 35mm ( which will be in part 2).I went out mid Sunday morning with the Yashicamat 124G hoping to catch some nice light on the autumn leaves/trees.The light did not disappoint and maybe for the 1st time ever I managed to get 12 keepers from a roll of 120.

I set the meter at 80 iso and tried to meter for the shadows hoping not to blow the highlights too much. When shooting in bright sunlight the colours really pop really enhancing the autumnΒ colours I can’t wait to get my hands on the “New” Ektachrome when it eventually appears.

 


Anyway thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

1st time shooting Lomography Colour Negative 400 35mm….

I love trying new/old film stocks, usually its some old expired stuff I find on eBay but for a change I picked up a 3 roll box of Lomography Colour Negative 400 35mm last week and was interested in seeing what the film was like compared to some of my favorite films like Portra 400 vc or Fuji Reala.Luckily for me it was a nice bright day which after viewing the scan really showed the best side of this film.

I decided to use a camera that I have not shot for an absolute age … my Canon AE1 program with the 50mm f1.4 which was such fun to use again. The sharpness of the film was quite impressive as so were the colours.

There seemed to be a slight green cast to most of the shots which did not detract from the image in fact I really liked the look. The brighter the light the more saturation I seemed to get which was great.

I am not sure what I was expecting from this film but its fair to say I love it.

I have since bought another pack but this time in 120 format so I can’t wait to give that a try …. so watch this space.

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

A day at the Seaside with some expired Kodak Ultra 400 …..

I am always looking on Ebay for any film bargains even though I have way more film than I actually need already and came across a few rolls of Kodak Ultra 400 that had expired back in 2005.

The seller said it had been cold stored and as I didn’t have any of this stock I took a punt.I loaded up my Nikon FE2 & 35mm f2.5 and we popped down to the beach at Porthcawl, the weather started quite bright but by the time I was half way through the roll the clouds darkened which gave me two different looks to the images.

Once I started scanning the roll I was taken aback with how the images looked, pretty normal colours while shooting in the partial sunshine but when it clouded over the images had quite a pronounced colour shift which for me were the better looking frames if I am honest. Overall I was very happy with how many keepers that I managed to get from this roll.

I even like the pronounced grain in the funkier one’s too.

I am going to print out a couple at quite a decent size as I think the grain/colour will pop more when viewed larger.

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

London, New York, Pontycymmer … Artist at work .. Kevin Sinnott

Over the last few weeks I have had the pleasure of spending time with world renowned artist Kevin Sinnott who lucky for me lives here in Pontycymmer where he also has his studio and his most excellent gallery “Studio 18”.

My first thoughts about this series of images was to shoot it completely on film which after my initial test shoots was not going to show how I pictured the project in my mind where I had some sort of control over the colours of the paintings.

So I used a mix of film & Digital hopefully to give a good overview of a working artist.

Before we start here is a very brief snippet about Kevin that I procured from the web….

Kevin Sinnott

Born in Sarn, South Wales in 1947, Kevin Sinnott is a contemporary Welsh artist with a truly international reputation. He trained at Cardiff College of Art & Design, Gloucestershire College of Art & Design and at the Royal College of Art, London. Kevin remained in London throughout the 1970s and 80s, building a very successful career, and exhibiting at leading London galleries, major galleries in the USA and mainland Europe.
Kevin’s work is collected worldwide and he is represented in many important public collections, including the Metropolitan Museum of Art, New York. His large canvas, β€˜Running Away with the Hairdresser’ has proved to be one of the National Museum and Galleries of Wales’s most popular acquisitions.
Kevin returned to live in Wales in 1995 and has quickly established himself at the forefront of the renaissance in Welsh painting. While his work is primarily concerned with human relationships, the influence of the south Wales landscape is strongly felt in his paintings. He was elected to the Royal Cambrian Academy in 2007.

 

I will include some links at the end of the post to various articles featuring Kevin that may be of interest.Hopefully this will be the start of an ongoing project where I hope to spend time with artists in their studio or place of work where I can document the process of their discipline whether they are a painters, photographers, illustrators, musicians, sculptors etc

This 1st post may be an exception as Kevin gave me unlimited access to him and his studio for which I am so grateful.

 

I was very lucky with my timing as Kevin was in the middle of a painting on the day we arranged for me to pop over to do the studio shoot.

I was privileged to watch him work and then re work the painting “SuperMam”Β which will feature in most of the following images, please excuse the slight colour variations as obviously they are a mix of Film & Digital.

The paintings need to be seen in life to appreciate them Β πŸ™‚

The images were shot on a mixture of Kodak Portra 400, Fuji Pro 400H for the colour and ilford HP5+ and Kodak T-Max for the B&W.

Cameras used were Nikon F100, Mamiya 645, Mamiya C330 and Leica M2.

Digital were Nikon D600, Fuji XT-1 and Fuji X-Pro1

Martin Tinney Gallery
http://www.artwales.com/artists-detail-mtg-en.php?artistID=49
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Wales online link
http://www.walesonline.co.uk/whats-on/kevin-sinnotts-new-paintings-go-4891977
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Studio 18 link
http://studio18.wales/
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Youtube video link

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National Museum link
https://museum.wales/art/online/?action=show_item&item=1671
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Flowers Gallery
https://www.flowersgallery.com/artists/view/kevin-sinnott

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

All my #SummerFilmParty “August” images together …..

As I said in a previous post I have been taking part in a Twitter competition called #SummerFilmParty … only using certain film types then posting the results and if chosen the participating photographers get to vote for the winner.

Last month I managed to get 2 images shortlisted (didn’t win) which was well pleasing given the calibre of the other entries.

I shot 2 films .. ilford Pan F in my Nikon F4s and some expired Fuji Sensia 400 in my Nikon F100.

Here are the entries plus a couple that didnt make my cut Β ….. in no particular order

This was the last #SummerFilmParty but other parties have been planned so watch this space.

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚