Expired Fuji Sensia 400 after the rain …

I only just realised while backing up my Lightroom catalogs that I had forgotten to post this blog which should have been posted before the Ektachrome 2 parter.

As I may have mentioned in my previous posts that I have some mixed E6 chemistry that I want to use up before it goes off so my last few rolls have been slide film. I have quite a few different slide stocks stored in my fridge and the day I shot this we had just had a huge downpour and I was not really sure whether or not the rain would come back so I loaded up some Sensia 400 rated at 320 iso into my Olympus OM10 for a change as I haven’t used this camera for years, I usually use either the OM2s or OM1n when I want to go down the Olympus route.

I paired it up with the lovely Zuiko 50mm f1.4 that I managed to pick up recently. Lucky for me the rain held off for a while and the sun peaked out to give a nice warm look to the Sensia.

Anyway thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

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Autumn colours with Kodak Ektachrome E100VS … part 2

Following on from my last post the day after shooting Ektachrome in 120 I loaded up my F100 with the 35mm version and headed out to see how it compared.

As with the 1st roll I set the meter to iso 80 but used a bit of exposure compensation on a few shots not to have muddy shadows.The first thing that was apparent was how much more Red the images were compared to the 120, both films were obviously expired the 120 was 2012 and this roll was 2009.

I am not sure how this roll was stored before I received it (it was a gift from a twitter photographer friend) but the previous roll had been fridge stored from new. That said I don’t think it harmed the look of the images in fact I quite like the overall Red feel.

There was a very slightly more pronounced grain compared to the 120 but if I had not shot/processed the roll the day before to have an instant comparison I don’t think I would have really noticed. The sharpness was pretty much identical even when I was shooting at f2.8 (it was too bright to get wide open at f1.4) Overall I was very happy with both rolls and I am really looking forward to getting my hands on the new re-issued version as soon as it comes out.

HURRY UP Kodak ….

Anyway thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

Autumn colours with Kodak Ektachrome E100VS … part 1

For a change usually when I get a nice long weekend off be it summer or winter I always seem to pick the days with rubbish weather but luckily for me last weekend I got a good one.

As I still have my Tetenal E6 kit mixed from the end of the summer I decided to shoot some slide film before the chemistry went off.

As I had not shot Ektachrome for ages and with Kodak hopefully bringing back the emulsion shortly I decided to shoot 2 rolls over 2 days in both 120 and 35mm ( which will be in part 2).I went out mid Sunday morning with the Yashicamat 124G hoping to catch some nice light on the autumn leaves/trees.The light did not disappoint and maybe for the 1st time ever I managed to get 12 keepers from a roll of 120.

I set the meter at 80 iso and tried to meter for the shadows hoping not to blow the highlights too much. When shooting in bright sunlight the colours really pop really enhancing the autumnΒ colours I can’t wait to get my hands on the “New” Ektachrome when it eventually appears.

 


Anyway thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

1st time shooting Lomography Colour Negative 400 35mm….

I love trying new/old film stocks, usually its some old expired stuff I find on eBay but for a change I picked up a 3 roll box of Lomography Colour Negative 400 35mm last week and was interested in seeing what the film was like compared to some of my favorite films like Portra 400 vc or Fuji Reala.Luckily for me it was a nice bright day which after viewing the scan really showed the best side of this film.

I decided to use a camera that I have not shot for an absolute age … my Canon AE1 program with the 50mm f1.4 which was such fun to use again. The sharpness of the film was quite impressive as so were the colours.

There seemed to be a slight green cast to most of the shots which did not detract from the image in fact I really liked the look. The brighter the light the more saturation I seemed to get which was great.

I am not sure what I was expecting from this film but its fair to say I love it.

I have since bought another pack but this time in 120 format so I can’t wait to give that a try …. so watch this space.

Thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

London, New York, Pontycymmer … Artist at work .. Kevin Sinnott

Over the last few weeks I have had the pleasure of spending time with world renowned artist Kevin Sinnott who lucky for me lives here in Pontycymmer where he also has his studio and his most excellent gallery “Studio 18”.

My first thoughts about this series of images was to shoot it completely on film which after my initial test shoots was not going to show how I pictured the project in my mind where I had some sort of control over the colours of the paintings.

So I used a mix of film & Digital hopefully to give a good overview of a working artist.

Before we start here is a very brief snippet about Kevin that I procured from the web….

Kevin Sinnott

Born in Sarn, South Wales in 1947, Kevin Sinnott is a contemporary Welsh artist with a truly international reputation. He trained at Cardiff College of Art & Design, Gloucestershire College of Art & Design and at the Royal College of Art, London. Kevin remained in London throughout the 1970s and 80s, building a very successful career, and exhibiting at leading London galleries, major galleries in the USA and mainland Europe.
Kevin’s work is collected worldwide and he is represented in many important public collections, including the Metropolitan Museum of Art, New York. His large canvas, β€˜Running Away with the Hairdresser’ has proved to be one of the National Museum and Galleries of Wales’s most popular acquisitions.
Kevin returned to live in Wales in 1995 and has quickly established himself at the forefront of the renaissance in Welsh painting. While his work is primarily concerned with human relationships, the influence of the south Wales landscape is strongly felt in his paintings. He was elected to the Royal Cambrian Academy in 2007.

 

I will include some links at the end of the post to various articles featuring Kevin that may be of interest.Hopefully this will be the start of an ongoing project where I hope to spend time with artists in their studio or place of work where I can document the process of their discipline whether they are a painters, photographers, illustrators, musicians, sculptors etc

This 1st post may be an exception as Kevin gave me unlimited access to him and his studio for which I am so grateful.

 

I was very lucky with my timing as Kevin was in the middle of a painting on the day we arranged for me to pop over to do the studio shoot.

I was privileged to watch him work and then re work the painting “SuperMam”Β which will feature in most of the following images, please excuse the slight colour variations as obviously they are a mix of Film & Digital.

The paintings need to be seen in life to appreciate them Β πŸ™‚

The images were shot on a mixture of Kodak Portra 400, Fuji Pro 400H for the colour and ilford HP5+ and Kodak T-Max for the B&W.

Cameras used were Nikon F100, Mamiya 645, Mamiya C330 and Leica M2.

Digital were Nikon D600, Fuji XT-1 and Fuji X-Pro1

Martin Tinney Gallery
http://www.artwales.com/artists-detail-mtg-en.php?artistID=49
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Wales online link
http://www.walesonline.co.uk/whats-on/kevin-sinnotts-new-paintings-go-4891977
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Studio 18 link
http://studio18.wales/
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Youtube video link

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National Museum link
https://museum.wales/art/online/?action=show_item&item=1671
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Flowers Gallery
https://www.flowersgallery.com/artists/view/kevin-sinnott

Thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

Summer Velvia 50 colours ….

Last week I did my good deed of the month by giving away a camera to a twitter photographer friend who was happy to pay the postage but also gave me a lovely surprise by also sending me a little Lomo camera along with a selection of films one of which was some Fuji Velvia RVP50 which I have not had a great deal of experience with. I have shot plenty of Fuji Velvia RVP100 in both 35mm and 120 with lovely results but the RVP50 Β was quite a new experience.

I loaded up the Nikon F100 as I find the metering to be the most accurate and rated the film at 25 iso as it had expired back in 2006 and processed it using the Tetenal E6 kit. When opening the developing drum the colours were popping even before holding up to the light and once I got the scans into Lightroom I began to understand why photographers rave about this iconic film stock. The day that I shot the film was bright and sunny which obviously aided the look of the images with the Reds and greens almost aglow.

Obviously I will have to add a few rolls of this to my film fridge very soon and I will look forward to loading it up the next time we get any sun here in the South Wales Valleys.

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚

I love shooting expired film ……

Last week I managed to source some of my favorite colour negative film Fuji Reala from ebay and along side of the Reala the vendor also had some Kodak Vericolor II which I also bought to give it a try.

I have previously shot a roll of Vericolor III that I had been given and really liked the muted tone that I gave so I was hoping that this gave similar results.

I decided to take the Mamiya C330 for a run out as I had been neglecting it over the Yashica Mat 124G recently, I used both the 80mm f2.8 and 65mm f3.5.

Here are the images, only 9 as the other 3 were bracketed shots ….Β  It was an overcast day with glimpses of sunshine now and again.

I rated the roll at 80 iso with my Sekonic meter which was pretty much spot on.

If I shoot the next roll in brighter conditions I could probably rate the film at 100 or even box speed as it didn’t seem to have lost a lot of sensitivity even though the 2 boxes had expired back in 1994 Β πŸ™‚

Thanks for looking ….

Click on an image to view larger

All images are available as prints just drop me an email

I also have a film only blog over at Β usingfilm.wordpress.comΒ if you want a peekΒ πŸ™‚