Carl Zeiss Flektogon 35mm f2.4 on my Nikon FM2n …..

I was very lucky a few months back to be gifted a bunch of old camera stuff from a friend, most of which sadly was pretty far gone but mounted to an old Praktica that had died was this beauty … Carl Zeiss Jena Flektogon 35mm f2.4

Funny thing was I was reading a random blog post only days before extolling the virtues of this particular lens.

I have a couple of M42 mount cameras so mounted it on my working Praktica MTL 5B and shot a roll of expired Kodak Colorplus just to test the performance.

See link here .. carl-zeiss-jena-flektogon-35mm-f2-4

I was very pleased with how the lens performed so I decided to get an M42 adapter for Nikon F mount so that I could use it with some of my older Nikon Slr’s.

I made sure that I got one with the glass element that let the camera focus to infinity and mounted it on my FM2n loaded with some ilford XP2 and went out to test it.

I found that if I switched the lens to manual diaphragm mode then the FM2n metered correctly for me.

Here are some sample images mostly shot wide open at 2.4 through 5.6 with the bench landscape at f11.

The viewfinder dimmed quite a bit the more that I stopped down making it quite hard to focus but if you switch back to auto diaphragm mode to focus if you are using f8+ then back to manual to meter then all is good. All in all I am very pleased with this little lens and it has the added benefit of being able to close focus down to 19cm.

Considering I got this for nothing is a bonus but I wouldn’t hesitate to recommend this as a purchase as you will not be disappointed

Thanks for looking ….

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All images are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

 

Garw Valley Mountain Walk with some Velvia 50 ….

After some friendly banter with a fellow twitter photographer about how slide film should not be cross processed and that it was almost a sin I decided to shoot a roll of Velvia 50 as the Gods intended and get it processed and scanned by AG Photographic and here are the results. They were shot using my Nikon F100 and Nikkor 24-85 VR … they are untouched scans that I got back from AG and I am pretty happy with the results, I still love to Xpro E6 but I have just bought a Tetenal E6 kit and have started processing my own so I am now almost a convert … ha ha I am pleased that the exposures were pretty spot on which I don’t worry about when I know that I am going to xpro the roll … I did notice the difference in colour when shooting with the sun behind me compared to in front, I could have warmed them up a bit in Lightroom but I thought I would just post as is….

 

Thanks for looking ….

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I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

My 1st Nikkormat ….

I received a message the other week from a photographer friend saying someone that he knew was selling some film equipment and wondered if I was interested.

I contacted the gentleman and called around to see what he had for sale.

As I had just bought my 1st Leica the week before my camera fund was a little depleted but out of all the stuff he was selling I managed to afford this Nikkormat FTn.

As soon as I held the camera I loved it, especially the brassing from years of use.

The seller was a retired pro photographer and to be fair he took very good care of his equipment.The first problem that I encountered was the fact that I didn’t own a lens that were compatible with how the meter operated. All my lenses were too new, even though they all fit they didn’t have the aperture coupling thingy so I had no way of using the internal meter … or so I thought.

After some reaching out to my Twitter friends I was informed that I could use it in “Stop Down Metering Mode”  where you use the DOF preview button to stop down the lens to the aperture that you want then while holding it adjust the Shutter/Aperture to get the meter in the centre.

Then came the 2nd problem … to do this correctly on the FTn you need to push the lever on the camera that is supposed to attach to the coupler on the lens completely to the right when you mount the lens then it should remain there to give correct meter readings.

But when I did this and compared the camera reading to my lightmeter reading it was off quite a bit but after a bit of fiddling I realised that if I pushed the lever all the way to the right then pulled it back about 1cm then the readings matched … happy days 🙂

So I loaded it up with some ilford XP2 and went out to test the beast … It was a joy to use and handled great.

Here is a selection of the images that I got and managed to get every frame pretty much in the correct exposure ball park …

Thanks for looking ….

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I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

Testing the Ricoh XR-P & Rikenon P 35-70mm Macro ….

I remember this camera when it came out back in 1984 and at the time would have loved to own it but never did until very recently, I did get the later model the XR_X but never got on with it back in the day but since re-purchasing one a year or so ago I actually enjoy using it.

Anyway the XR-P was a pretty advanced camera back in the day and had various programmed exposure modes that required the use of a Rikenon P lens and not the Pentax A  version.

I have a few Pentax SLR’s along with some A lenses so when I bought this camera I also purchased a Rikenon P lens just to give it a run out.You may have noticed that many of these images are similar to my previous blog on shooting FT12 high contrast film … the reason is I took both cameras out on this walk, I was going to blog this a little later but I thought it may be a benefit seeing the two together for a comparison. The camera was a breeze to use, I shot all the images using various of the modes with no problems.

The lens also performed quite well albeit a little soft at the wider apertures but pretty nice at f8 and over.

The film was a fresh roll of Agfa Vista 200 processed and scanned at home. I doubt very much that I will use this camera in any of the modes other than Aperture priority or manual to be fair but its nice to have the option.

Its a very, very nice handling camera even though it feels a bit cheaply built in comparison to my Nikon or Canon SLR’s nevertheless its size and weight mean that with a little Pentax 50mm its a great walk around camera and I will be shooting it quite a lot in the future.

Thanks for looking ….

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I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

Trying a new C-41 Developing/scanning service…..

After having fairly inconsistent results from processing my own C-41 at home I have been using AG Photographic to develop my negatives and then scan them on my Epson v500.

I have been pretty satisfied with what I have got and the cost has not been too high either but scanning colour negatives is pretty time consuming trying to get some sort of uniformity in appearance.

I recently came across a company online “Filmdev” who will develop and scan at various sizes depending on what I want, then let me download the images from the web before sending me a dvd with the hires tiff files and my negatives. All for the brilliant price of £5 for the 3600×2400 or £8 for the 4500×3000 scans. ( they also scan at 5400×3600 for £12 )

After posting off 2 films 1x Kodak Portra 400 & 1x Agfa Vista 200 expired I had a telephone call off David the owner telling me they have received my films and was there any particular things I required like push/pull, tiff scans or jpeg or a certain look to the scans all for no extra cost.

I decided on just straight process and corrections just to have some sort of reference next time I send more films.

I must say the results were excellent, great colours and very sharp clear scans with no dust/hairs etc, I was very impressed and suffice to say I will be sending all my films to them from now on.

The 1st gallery is the Agfa Vista 200 expired shot on my Olympus OM2n with the 35mm f2.8.

The 2nd gallery is the Kodak Portra 400 shot on my Nikon F100 with the 50mm f1.4.

Links to the company are here : http://www.filmdev.co.uk/

Thank you for looking any comment very welcome 🙂

Expired Agfa HDC plus and my Nikon F4……..

Agfa boxAges ago I was kindly given a bag full of film, all expired ranging from 2000 to 2009 and the friend who gave it to me didn’t know how it was stored as he himself was given it by 3rd party.

I have been using some of it to test any old 35mm camera I managed to pick up and to be honest it has all been ok but I have not shot it with a decent camera/lens combination and had it processed professionally so the other week I loaded up my Nikon F4 with some Agfa HDC plus 200 that expired back in 2002.F4I deliberately set my iso to 100 and also over-exposed quite a few shots hoping to get a bit of contrast and colour in the film as what I have found with the other rolls that I shot at box speed and camera exposure have all been a little flat.F4_Agfa_HDC_200-004As with most Agfa colour films I have used before the images had a magenta tone to them which I don’t mind.

I was impressed with the contrast and sharpness too, it really made a difference shooting this film in the F4 with my nice 50mm f1.8.F4_Agfa_HDC_200-017F4_Agfa_HDC_200-011 F4_Agfa_HDC_200-008 F4_Agfa_HDC_200-005 F4_Agfa_HDC_200-001F4_Agfa_HDC_200-022F4_Agfa_HDC_200-012After our little walk I still had a few frames left and my better half had a go with the F4 while we relaxed outside our local pub shooting my happy face.F4_Agfa_HDC_200-039All in all I am very happy with how the film performed, it really made a difference using it in a good camera and the processing was done by AG Photographic and not at home by me.

I have another 10 rolls of this as well as various other Agfa/Kodak mixture so now I know that the film works fine I will shoot these in my better cameras rather that just as test rolls in the many point & shoot/rangefinders I seem to pick up in charity shops “I have a GAS problem 🙂 “.F4_Agfa_HDC_200-006F4_Agfa_HDC_200-026Thanks for looking….comments most welcome 🙂

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also check out my “Film Only” blog at Using Film

 

Zorki 4k re-visited …….

Zorki_HP5021-EditI have had my Zorki 4k and Jupiter 8 50mm f2 for ages but I have only put 2 rolls of film through it.

I don’t know why I have not used this camera more as it handles great and the results from the the 1st 2 rolls were also very pleasing.Zorki_HP5022As with my first attempts, getting the framing correct is still a bit hit or miss especially if trying to frame pretty tight.Zorki_HP5016So I have to leave plenty of space just to make sure I get the shot but thats not really a huge problem.Zorki_HP5014HP5 shoots great with the Jupiter 8 giving quite smooth out of focus areas while still getting great contrast which is what I like about HP5.Zorki_HP5010I am going to try to shoot this camera much more from now on and I have been looking on eBay for a nice lens hood as the lens is prone to quite a bit of flare.Zorki_HP5007Zorki_HP5008 Zorki_HP5011 Zorki_HP5020-EditZorki_HP5018Thanks for looking

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Tamron 35-70mm f3.5 macro testing with my Olympus OM2n and some HP5……..

OM2n-HP5022-EditThe other week I came across an Olympus OM10 in a local car boot sale. As I already have my original OM10 I didn’t really need another but it did have a nice looking Tamron 35-70mm zoom with it and a Manual adapter so I asked the seller if he would sell me them as I didn’t need the camera and he agreed to £10 which was a bargain and after paying he said I may as well take the camera for free as he has had no interest so double win.OM2n-HP5007Today was the 1st time using it on my OM2n and it worked great, 35-70 is a very handy focal length spread and f3.5 throughout was also useful.OM2n-HP5006It’s not the sharpest lens ever in fact its a little soft until you get to f8 but to be honest I really don’t mind as as a walk around lens its far more useful than being stuck with my 50mm.OM2n-HP5021 OM2n-HP5019 OM2n-HP5018 OM2n-HP5012-Edit OM2n-HP5002All in all for £10 I am well pleased and this lens will be permanently on my OM2n.

Thanks for looking………

Bridgend Show with my Fuji X-Pro & 35mm f1.4………

Fuji Xpro1-1155-Edit-EditPopped along to the Bridgend Show on Sunday with just the X-Pro 1 and 35mm f1.4 with the intention to shoot as much as I could as near wide open as I could but it was rather bright and sunny so managed f2.0 -f4.0 and the camera and lens performed superbly.

All images shot Raw and processed in Adobe Lightroom 5 using the Adobe Fuji camera profiles, quite pleased with the colours but still not as sharp as with Capture One Pro but getting there.

Click on an image to view larger …….

Thanks for looking 🙂

D600 and Capture One Pro …….

D600A_0027 1Since getting my D600 and also my Fuji X-Pro1 I have noticed a pronounced slowdown in the performance of Lightroom 5.

Also Lightroom does not get the best out of my Fuji Raw files which tend to be soft and flat unless I spend extra time processing them.

After reading a lot of advice on the web I thought I would give Capture One Pro a trial run just to see if there is any improvement.D600A_0020Straight away the speed increase was 10 fold, the import and rendering of previews were very impressive with my 24meg D600 raw files.

Also the default rendering that Capture One gives the images was very pleasing.

D600A_0012I opened the “Merlin Stone” Raw image at the top of this post in Camera Raw after seeing the Capture One version and was so impressed with the depth in the colours and the sharpness of the image.

I could not get Camera Raw to render anywhere near what I got from Capture One.D600A_0002I get emails from PhaseOne quite regularly with money off offers to purchase their software and as soon as I get the next one I will be investing in this, the learning curve is quite steep as I have used both Lightroom and Aperture for ages but PhaseOne has loads of tutorial videos on their Youtube channel so I have plenty of viewing to do 🙂

D600A_0058 D600A_0048I am looking forward to seeing the difference I can achieve with my Fuji Raw files next if the D600 images are anything to go by I will be very pleased.

Thanks for looking

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